Copy Track

If you are worried about infringement or your work has been copied and you want to take action.
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HammerofPompey
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Copy Track

Post by HammerofPompey »

Recently had an interesting request for €350 to settle a claim of use of an image without a licence and €374 per annum to use it going forward, from Copy Track (CT)

The claim has come from them on behalf of Concept Productions, who claim to have been retained by the photographer.

Before giving them the details requested we asked for confirmation that the photographer had retained the services of Concept Productions (CP).

We got back an internally produced document addressed from CP through the rebranded CT, stating that they had had the rights ceded to them by the photographer (naming the right artist). It was signed by the same CP employee (they have a page on their website!) only this time claiming to be a product manager for Fotolia, ceased to exist after 2018 when it was bought by Adobe. Now it is possible that this guy has two jobs, but not for one for a company that ceased to exist over 5 years ago.

Their reply was to suggest we read their internally produced document (produced after our request for proof) that they claim shows they hold the rights (nothing from the photographer). signed by themselves!

Also included in the "proof" was the name of the file that they claim was used unlicenced and it was indeed from Fotolia.

The image itself is available on most stock image sites, including being found on other stock sites that have been subsumed into others.

As it happens the image was (I was assured) licenced by by developer at the time as she had a few subscription imagery sites - but she was murdered (genuinely) nearly three years ago and strangely enough it is proving difficult to get evidence from beyond the grave.

Currently we have pointed out, without admitting to the difficulty of proving this image was licenced by her, that the licence is available from Adobe Stock for £1.90 on a subscription model (current developer holds this) and as a free download from stock site under their "trial" membership.

So we have dismissed the exaggerated and excessive claim going forward (we have relicensed through the Adobe Stock option, though not actually told them to date) and explained given that we could simply change images - it is generic.

As for the demand for us to prove the licence, we have once again pointed out we need definitive proof of the photographers ceding to CP rather than an internally produced, self-signed document, especially given the number of mal-actors out there and reminded them that the licence they claim we haven't paid for is £1.90 of which the photographer doesn't get the agreed commission. We have not admitted liability, nor made an offer to settle (thereby admitting liability), while we await the "proof" they have asked for. The ridiculous thing is that if they'd asker for £30/50 I'd have paid it! I have said that if they were to proceed to legal action we would vigorously defend our position.

Throughout we have stated we will continue to assist/act pleasantly as we seek settlement, despite their repeated bullying/threats of court action

What I am looking to confirm is:
  • Court damages are limited to the loss - ie the cost of the licence makes good the loss
  • What damages can added in court
  • Can admin costs be added and what is actually reasonable if so
  • Confirmation or otherwise that the photographer is the only one who can bring a claim
  • Examples of IPEC ruling in these circumstances
Ideally looking for references to statutes or case rulings to help my confidence that I have this right

BTW, the Copy Track process for registering as an artist/uploading images seems extremely suspect. An artist can register and upload 500 images (for free), which are then put through a reverse search. The artist get 45-55% of any money raised - I'm guessing from those who were scared by teh bullying tone, not those willing to fight ridiculous charges. However, it seems there is no check on the artist, nor that they own the IP. One blog post on the subject reports a guy who uploaded the BBC logo, who was then told that CT had found a potential breach on the BBC website!

Cheers
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AndyJ
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Re: Copy Track

Post by AndyJ »

All your BTW points at the end are why we encourage people to challenge these claims companies. Some companies are indeed sketchy and don't do any due diligence, which encourages chancers to sign up to use their services. This is a world away from genuine photographers like members snappman and Fatty on this forum who have every right to get angry about how their work is frequently infringed. Individual freelance photographers who take cases to court will get a sympathetic hearing, but such cases are rarely helped by the scare tactics and unreasonable demands which the claims companies use.

Anyway, turning to your specific points:

1. Civil claims are mostly based on the commonlaw and equity. That is to say I can't point to a specific statute which says that the fundamental purpose of civil damages is to put the claimant into the same position, financially speaking, as he or she would have been in if the correct transaction to obtain a licence had occurred in the first place. The commonlaw can be modified by statute law, and this happens within the Copyright Designs and Patents Act, for example, in section 97(2) which makes provision for additional damages to be awarded where an infringer has behaved flagrantly or has made excessive profits from his infringing act. I can't 'prove' that my second sentence above is what the commonlaw says, and you would need to consult some weighty (and costly) legal authorities to see the principle expounded authoritatively. So in the mean time, let me direct you to a document which succinctly backs up my point. It's a pdf entitledIntroduction to Civil Proceedings in England and Wales and has been put together by a reputable law firm called Hogan Lovells. You need to turn to page 11 of the pdf (internal numbering page 9) and read the second paragraph under the heading Remedies. You could also carry out a google search using something llike "principles of civil damages in the UK" to come up with many other similar statements from other law firms. However make sure that any site you look at is talking about the law of England and Wales, not Scotland or the USA, where different rules apply. Also try avoid descriptions which refer to personal injury or medical claims, where of course it is less likely for there to be a financial loss, so damages are calculated differently.

2. As I've already mentioned, in copyright infringement cases additional damages may be awarded if a claimant can satisfactorily prove flagrancy or unfair profits made by the defendant. In the latter case, the standard procedure is for the claimant to ask for an account of profits rather than damages. This approach allows the court to take in account any profits made as a direct result of the infringing act. To take an example, say an infringer used 12 high quality images he found on a photographer's website and printed them up into wall calendars, each of which sold for £10 and he sold 2000 of the calendars. An account of profits would calcuate all the profit made after printing costs etc were deducted, and award this amount to the photographer.

3. In answering this question we need to know whether the basic amount claimed is under or over £10,000. If it's under then the case will be assigned to the small claims track of the Intellectual Property Enterprise Court (IPEC) and special rules will apply. Over £10,000 and the case will most likely be tried in the main IPEC court, unless very large sums in damages or more complicated legal arguments are involved, in which case the matter may go straight to the Chancery Division of the High Court. Since we are generally speaking about claims under £10,000 I can point you to the Guidance Notes for users of the IPEC Small Claims Court. You need to scroll down to the heading Costs Recovery where you will find the following:
Costs recovery

The general principle that an unsuccessful party will pay the legal costs of a successful party does not apply to IPEC SCT claims. Instead, the successful party will usually only be entitled to the costs set out below:

- fixed sums in relation to issuing the claim
- court fees, including the hearing fee
- reasonable travel or out-of-home accommodation expenses for a party or witness attending a hearing
- loss of earnings or annual leave of a party or witness for attending a court hearing, limited to £95 per day for each person
- in proceedings that include a claim for an injunction, a sum for legal advice and assistance relating to that claim, not exceeding £260
- not more than £750 for the fees of any or each expert that the court has approved in advance

Any further costs the court may decide after the hearing, may have to be paid by a party who has behaved unreasonably. A party’s rejection of an offer of settlement will not by itself constitute unreasonable behaviour but the court may take it into consideration.
[for the sake of clarity I have omitted the references to the Civil Procedure Rules and Directions; you can find them in the original]
4. See section 96 CDPA. It's a little terse. A court would invariably want to hear evidence in person from the copyright owner if there was any dispute about ownership. Note that the copyright owner is not necessarily the author of the work. For instance a staff photographer working for a newspaper would not be the owner of copyright in photographs which he took in the course of his employment; his employer would be the first owner. Any transfer of ownership of copyright has to be in writing and signed by the owner (section 90 CDPA). It's important to distinguish between bringing a claim to court and authorising an agent to pursue civil demands outside of litigration. The latter can be quite informal.

One last point. You mentioned not having made an offer to settle. An offer to settle is not in itself an admission of liability. It can be motivated by wishing to quickly resolve the issue in a manner which suits both sides. For example in many other sorts of claims it is quite normal for a large organisation or company to settle without admitting liability just because it is cheaper for them than to have their legal teams tied up in long drawn-out proceedings over relatively trivial claims.
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HammerofPompey
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Re: Copy Track

Post by HammerofPompey »

Many thanks - very useful indeed. We continue to engage, specifically saying we are being helpful, just that we need proof, not a post dated internally produced document stating the artist has ceded the rights to Copy Track, before we can send the information they "require".

I too dislike how honest photographers have their work "borrowed"!!! That said accidents/errors occasionally happen, records can get lost and stock sites can close down, be subsumed....

Yesterday I site I host, but don't have anything else to do with got a cease and desist notice for the use of a logo - despite the fact that the owners sponsors an event they run and the logo has been used with their knowledge for several years, just the brand protection agent sems not to know. The logo is down while the position is clarified.

Had Copy Track asked for £30 or a cease and desist/take down and not threatened legal action we'd have paid it, but the ridiculous demand for €350 pa going forward for an image that could be purchased from adobe stock for £1.90 is nothing short of a joke

Will read the references with interest.

Tnks

BTW, the image in question of raw prepared chicken is on a site for a Free Range Turkey Farm (Xmas Turkeys) - they have sold 2 chickens in total!!, one of which was refunded (cancelled most likely). If anything that have made a loss not profit from the related product!
martinsj
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Re: Copy Track

Post by martinsj »

Hey there, I have also been contacted recently by CopyTrack with the same old nonsense. This time they are representing YayImages apparently.

The images in question on the "claim" are all available on other stock imagery sites (one is even on a free download site).

They are asking for proof of a license for each.

But as the images are sold on multiple stock sites, surely Copytrack’s client doesn’t have exclusive rights? Meaning that a valid license does not need to be supplied?

What is the legal posotion on this? Would I still need to show (in theory) a valid license from say Shutterstock or Istock for the same image that is on YayImages?

Any help would be be much appreciated.

Regards

Jo
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AndyJ
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Re: Copy Track

Post by AndyJ »

Hi Jo and welcome to the forums,

The demand is based on their assumption that you don't have a licence to use the images, and this would be easily countered by giving them the details of any licence you did hold, but I assume from the way that your posting is worded, you don't have the correct licences.

The starting point is that copyright will almost certainly exist for these images and therefore any past use of them without the copyright owner's permission (ie a licence) would amount to infringement, unless you could establish that one of the fair dealing exceptions applied. You didn't mention that so I will assume that you don't think an exception is likely to apply. Copytrack can only legitimately act if they represent either the copyright owner directly or have been authorised to work on behalf of an agent who in turn has been authorised by the copyright owner. The fact that there appear to be multiple agents muddies the water somewhat, but the underlying issue remains that, because copyright infringement is a matter of strict liability, you need to show (to the copyright owner who is the aggrieved person here) that you have a valid licence, if you want to escape liability for infringement should the copyright owner (and only him or her) decide to take matters further. CopyTrack have no authoritty to act on behalf of the other agencies which also supply these images and so, technically speaking, you only need to comply with their request that you reveal any licence details if the licence concerned could only have been issued by Yayimages. That said, a failure to co-operate with their request might be viewed as unreasonable behaviour should the matter go to court - somethging I think is highly unlikely, but not impossible.

There is then a separate question about which agency is entitled to receive any settlement in these circumstances. Had you shopped around to get a licence you would undoubtly gone for the cheapest fee and so, logically the agency charging the cheapest fee would be the one now due any settlement amount. If Yayimages don't offer the cheapest licence fee, then following that logic, they don't deserve to receive money that is theoretically due to another agency. As you will know if you have read the other threads here, the amount of damages which is due is based on the direct loss to the copyright owner from the missed sale of a licence. The sum being demanded by CopyTrack is, of course, totally unrelated to the actual damages which may be due.

I appreciate that this doesn't really answer your question, but in reality Copytrack aren't interested in the legal position; they will evaluate this claim based on whether they think it is worth pursuing. That in turn will be based on how awkward or compliant you appear to be in your dealings with them, in the face of vague threats. I can't advise you on how to conduct litigation but I'm sure you will be able to draw your own conclusions.
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martinsj
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Re: Copy Track

Post by martinsj »

Thanks for the reply Andy. First off, thanks for building such a fantastic resource.

I am fully aware of the 'business model' of CopyTrack and understand they are a troll. With this in mind, I have been told to demand they prove their mandate and the image’s ownership first. The more paperwork you ask for, the less profitable you are to them, and the faster they’ll leave you alone. I have also been told, if you’re in the right, don’t send them anything until they show their proof.

I have read online it’s been proven time and again that Copytrack tries to get payments for images their clients don’t even own. This has sparked my interest.

Going back to my main point. Yes I do have the correct licenses, I just want to make it as difficult as possible for them as I don't like their tactics and aggressive attitude.

If exactly the same image is available to purchase from say 3 websites (YayImages, Istock and Shutterstock) and it was legally purchased on Istock, what right to YayImages (via CopyTrack) have to demand to see a valid license when it was purchased elsewhere? Imagine if say 100 images were available on all 3 sites, and I downloaded and used them all from istock (legally) and Yay via CT say we want to see a license for each. The time taken here would be insane. What protections are in place?

My other question. Take this image for example (just a random example for educational purposes) - https://yayimages.com/66737874/wild-waters.html. Is this actually owned by Yay or Raschma (the photographer I'm assuming)? Has Raschma signed over the full copyright ownership to Yay? What if Raschma then also lists this image on Istock for example?

Your time and knowledge is much appreciated.

Thanks Jo
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AndyJ
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Re: Copy Track

Post by AndyJ »

Hi Jo,

I can't answer your question about whether Yayimages or Raschma is the current owner of the copyright in that image, but I would be surprised if a freelance photographer would sign over his/her copyright in return for microstock payments. And in the other cases where the photographer has provided the same image to multiple agencies, he can't have assigned his copyright to them all. I suspect in all these cases it is just standard agency agreement which governs the relationship between copyright/photographer and the agency.

I am pleased that you have licences for the disputed images and are prepared to give copytrack the runaround.
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HammerofPompey
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Re: Copy Track

Post by HammerofPompey »

So, here's an update, with teh email thread!

Dear Sirs
Thank you for you email which I find somewhat curious. Before proceeding, I note that you email states:
“……we have been informed that ********* is likely using an image without permission and the client has exclusively commissioned us with the clarification, administration of the image rights for the territory of the Federal Republic of Germany….”
It goes on to claim that the holder of the image rights is “CONCEPT-PRODUCTION”, but provides no proof/evidence
To that extent I need to see proof that “CONCEPT-PRODUCTION” do indeed hold the image rights for this picture before submitting any information to you on the basis of nothing more than a “claim” that something “might” be wrong, where you haven’t named who the claimant is.
I would also need the original file name, as all our images are stored under that, so I need to file name to conduct a search.
As soon as you have provided all the required information I will expedite our relevant details.
Yours faithfully

CT:
Dear Sir or Madam,

Thank you very much for your message. We have now requested the necessary documents from our client and will get back to you as soon as we receive them.

We appreciate your patience in this matter.

So they didn't have the docs - followed by a week later with:


We would like to inform you that we have obtained the necessary documents confirming our client's ownership of the copyrighted materials, as well as the confirmation of the assignment. You can see them attached below.

We appreciate your cooperation in this matter and hope to resolve it in an amicable manner. Please be advised that payment of the compensation can be made via the following link: portal.copytrack.com by entering your case ID NNNNNNN
Failure to do so may result in legal action being taken against you.

Our response:

Thank you for confirming the image is by V******* (aka a ********),we are always careful to ensure content creators are properly remunerated for their work. That said, you have not supplied evidence I requested that V******* has engaged Concept Productions. You have merely sent me an internally produced digitally signed “confirmation of ownership“ claim from E***** D*****, with an address in France, who then claims to be a “PROD MANAGER for FOTOLIA STOCK ACQ” a Company that ceased trading in November 2019. However, E***** D*****works for Concept Productions https://concept-production.com/ - [then the name]

I still need to see the evidence that V********* has engaged Concept Productions. If you cannot supply the evidence within 7 days, I will consider that you have dropped the spurious, possibly vexatious claim. However, should you wish to proceed to court as E***** D***** threatens, then I look forward to hearing the explanation of the apparent fraud conducted by signing the internally produced document you have signing as an employee of a company that no longer exists and we will vigorously defend our position.

CT:

Thank you for your message

However, the documents, that we have provided you with my previous email, serve as valid confirmation of our client's rightful ownership and authorization over the said images.

[and repetition]

US:

Thank you for your email. As you can imagine we need to be very careful in respect of the number of phishing attempts that are made nowadays and therefore we have to ensure all unexpected/unusual requests are valid. We are sure you will hold the same views on Internet safety. However, we remain co-operative and hope that is mutual.
In that context, we find it rather curious that you seem to imply we are being anything but amenable, rather than carefully gathering actual facts. Further we find that the suggestion that we are not acting amenably and threatening legal action while we are attempting to establish facts, are examples of behaviours we would expect of those with less than good intent, though we are not implying that in this is the case in any way. Rest assured we will continue to act cooperatively but reiterate we do need facts and proof of the claims you are making. Proof is not an internally produced document post our request.
We note you request we review the document you sent carefully. We did when you sent it and that is why we asked for further evidence as what you claim is evidence isn’t, it is just a claim. I suggest you read our previous response in more detail and provide the factual evidence we asked, very politely, for. The concerns are set out once again below for ease.
You letter, which claims to be proof:
[Image]
comes from E**** D**** of Concept Productions.
The same person then signs (electronically, so technically anyone could do this), as:
[Image]
E***** is now (on the same page) a product manager for a company that ceased to exist several years ago, that doesn’t seem right and is clearly worthy of an explanation. We fully appreciate that he might have two jobs, but not for a company that doesn’t exist. The claim is also dated after our request for information on 26 Sep, so has clearly been created in response our request. In other words, it did not exist at the time you first approached us. We find this timeline and multiple use of the same person troubling and consistent with malicious actors, though there may well be a reasonable explanation. We just need to have it.
Additionally, E****** is not V*******. There is no documentation from V******* confirming the rights of the Concept Productions to act for V******* and Internet reviews that there are no actual checks made of the validity of such claims in your process. We requested this on 26 September and feel certain you would have definitive proof (by way of signature) of her empowering Concept Productions to act on her behalf, that predates that request.
The letter is further addressed by:
[Image]
Which we understand is the third rebrand of Copy Track. This again is an example of a degree of obfuscation frequently used by illegitimate actors. Again, your actions may be completely legitimate, but in the online world, you would surely expect us to make appropriate checks before passing information over.
Now on to your claim itself, which is in two parts:
1. €374.50 for a one year licence. This is for an image that if we needed to buy is available for £1.90 (Adobe Stock subscription) for a lifetime licence. Alternatively, it is available as a free download as part of a trial on other sites. Were we to be in need of an ongoing licence, the cost is next to nothing or we could just use a different image. Therefore, this seems to be a somewhat exaggerated and excessive claim.
2. As for the €350 claim for past use, were this to apply, damages are limited to the lost licencing fee which is defined as what the infringer would have paid for a license to use the image (£1.90) or the actual damages suffered by the copyright owner, including lost profits (£1.90 less the adobe stock or similar fee) and harm to the work's value (£0). Your claim, were it valid, is therefore highly excessive.
So, we reiterate, please provide the factual evidence requested rather than internally produced documents by 14 October and we will gladly provide the additional information we have as we will continue to vigorously defend our position.

CT:

Dear Sir or Madam,

As the domain owner, you are responsible for the content posted on your platform. We have discovered the usage of copyrighted materials, likely resulting in significant damages to our client.

If you possess a valid license or authorization for the materials, kindly provide proof of permission, such as an invoice from the Agency or written permission indicating the image's authorized use.

If you are unable to provide the required proof, we insist on immediate compensation to our client. Payment can be securely processed using your unique Case ID through this link: https://portal.copytrack.com/.

We hope for an amicable resolution. However, non-cooperation may necessitate involving our partner lawyers, leading to higher settlement costs. Our goal is to achieve fairness while protecting our client's rights and interests.

For any clarifications or payment discussions, please contact me within this email conversation.

US:

We continue to be amicable and very much hope you can provide the evidence we have asked for in our e-mail of 9th October 2025. If you possess a valid authorization from the artist, kindly provide proof of permission as we have requested several times, without success. That should be simple, otherwise you/Concept Productions are just making a claim for which you have yet to show validity. Once we have that we will of course continue assist as you request. Until then the threat of legal action, which we will defend vigorously.
However, being as damages are limited to the loss by the artist, your continued use of the words “significant damages” is at best an exaggeration.
As such, we would also like an explanation how one man can have two different jobs, one for a company that no longer exists, and why signing for such is above board and constitutes “the proof” you claim it to be..

CT:

Thank you for your message However, as I mentioned before we can not close the case without a proof of valid license.

Please be reminded that if you do not wish to cooperate we will be forced to hand this case over to our partners, and they will take further actions. It will also lead to higher settlement costs.

US:

We do wish to cooperate and we believe have done so, apart from asking for reasonable evidence. We will continue to cooperate when you send us proof that Concept Productions have a signed contract with the artist, that can be verified. We cannot send you the details you request without such proof, particularly given the ambiguity presented by an individual claiming two jobs, one for a company that has not existed for several years. We trust you will now cooperate.
Can we remind you that damages are limited to the loss for the artist, which by our records amounts to £1.90, especially as we have continued to try to work with you, while you have continually failed to send the proof from the artist requested. We will continue to work with you, but feel that if you had such proof, you could have supplied it by now and will do so by return. Internal documents produced after the event do not contribute proof and we will vigorously hold and defend that position.

CT (my highlights):

As outlined in our previous communication, our client holds rights to the image in question. We have provided evidence.
Thus, any usage of their images without explicit authorization is a violation of their copyright.

We must insist on compensation for the past unauthorized usage. Should you be unable to provide evidence of a valid license or written permission to use these images, we will have no choice but to escalate it to our partner lawyers for further action.

Thank you for your attention to this matter. Please let me know if you would require more information in this case, or a draft of the settlement agreement so we can close this case promptly.

US:

You have continued to state that your client (Concept Productions) holds the right to that image but yet not provided the proof we have asked for. Please confirm whether they hold the Intellectual Property rights of V********’s image and provide a signed document from V*********, rather than the internally signed claim produced after our request.
As for your insistence on compensation for past use, this is limited to the rights owner being put in the in the position they would have been, had the infringement not occurred. Therefore, your claim for €350 is totally exaggerated even if it was to be valid.
You then ask if we require “require more information in this case”. We have asked for you to provided signed documentation from V******** which you have not yet done, just the internally produced documentation from Concept Productions.
We remain eager to conduct discussions amicably and help resolve the case, we are just waiting for one piece of evidence, that you surely collected prior to engaging in the reverse search? Once you have provided such a document we will gladly move forward.

CT:

Thank you for your message.

Unfortunately, we are not able to close a case without one of the following conditions being fulfilled:

1. A proof of valid license.
2. The compensation to our client is paid.

If you do not have a license, and you understand that not settling with us will consequently lead to court and you would like to have a chance to settle with us, please also go onto the link https://portal.copytrack.com/ by entering your case is and choose ‘NO’ for having the license question then proceed further with the steps.

US:

We continue to be helpful and you continue not to supply the one document we've asked for. We are unable to close our side until you do, but are starting to think that perhaps you don't have the document requested and that your claim is nothing but specious, particularly as the damages you are claiming are hugely excessive and exaggerated.
You have offered to assist if we need more information, we have repeatedly asked for the same one document of proof. When supplied we will be able to proceed to assist you.
As for your ongoing threat of court action, which we will vigorously defend, the IPEC small claims will look at our very reasonable request for the document we have asked for and how we have continued to offer to cooperate and are unlikely to be sympathetic to your case. Provide the proof requested and we can look to close the case.
Failure to provide implies you don't have the rights you claim

CT:

Our position on this matter remains the same.

US:

I don’t think we ever asked you to change your position merely to submit proof, which despite being asked several times that you have proof dated before you contacted us, that V********* had engaged Concept Productions. We would suggest that if this documentation exists it would be a simple process to forward a copy. The greater the prevarication, the more we are likely to be suspicious of the approach. I am sure that as an organisation “policing” the internet you would totally support our request for confirmation. We’d also like an explanation as to how E******* D******* can represent a company on the 19th of September 2025 that ceased to exist when it was acquired by Adobe Stock, several years ago.
As we have stated all along, we will gladly help you get to the bottom of your claim once you provide the evidence we have asked for. To that extent nor has our position not changed either, we remain entirely willing to help and will defend this entirely reasonable position vigorously

CT:

I hope this email finds you well.

As outlined in our previous communication, our client holds rights to the image in question. We have provided evidence.

Thus, any usage of their images without explicit authorization is a violation of their copyright.

We must insist on compensation for the past unauthorized usage. Should you be unable to provide evidence of a valid license or written permission to use these images, we will have no choice but to escalate it to our partner lawyers for further action.

Thank you for your attention to this matter. Please let me know if you would require more information in this case, or a draft of the settlement agreement so we can close this case promptly.

US:

As ever we stand by to assist when we have proof that you client hold the rights rather than merely your client’s assertion. By proof we would expect this to be the artist’s signature (and not just the assertion you claim is proof from your client’s employee) and an explanation of how that employee can be both an employee of your client while holding a position of a company that ceased trading on 5 November 2019, a claim which on the surface seems somewhat impossible.
As for compensation costs for past usage of 350.00 €. You state “We calculate these fees based on our client's license history, as well as the duration of use and type of rights infringement“. Given the current licence fee for said image starts at £1.90 it’s a curious calculation that arrives at €350! In any case, compensation doesn’t quite work like that in the IPEC small claims track. In this case compensation is limited to the artist bringing a case and being put in the in the position they would have been, had the infringement not occurred - if indeed there was an infringement. Therefore, your claim for €350 is totally exaggerated even if it was to be valid.
We reiterate that we are more than willing to work with you to resolve the issue you raise once we have proof of the validity of your claim, bearing in mind the date of the alleged unlicenced use and the date you claim to have acquired the rights. This should be a document that predates your initial contact and before the date of the alleged unlicenced use as your client doesn’t even claim to have the rights at that time. We too would like to expedite closure, so feel that if you are not able to provide such evidence by the end of the month then it seems reasonable that you don’t have such evidence. I would suggest that any further correspondence from you other providing the proof we as asking very politely for, would be nugatory as we cannot proceed without such unequivocal proof. Indeed, one might consider any missive going forward that does not provide such proof are vexatious and we will defend our position most vigorously.

CT:

Our client has suffered damages due to your unauthorized use of their copyrighted material. By law, you are required to pay the photographer damages for previous use of the image.
Copytrack represents the copyright owner of this image .Our client, the photographer, holds the exclusive rights to this image, and as the copyright owner, they are entitled to seek damages for the unauthorized use of their work. Regarding the sum of 350 euros, this amount represents Copytrack's standard fee for the unauthorized use of copyrighted material. We have now requested the necessary documents from our client and will get back to you as soon as we receive them.

[My comment - note the use of the photographer holding teh rights and not Concept Productions

Thank you for this and confirming that you currently don’t have the documentation from the artist. I think you will agree were we quite right to question the paper trail, but we had hoped you already had this so we could have concluded the issue in October. It is curious that you were making a claim without the necessary paperwork, so as we suspected merely on the assertation of E***** D*******. We look forward to examining what you provide going forward.
It still remains, therefore, just an assertion that you client has suffered. And to be specific your client hasn’t suffered “damages”, but if your assertion is to be believed, “loss or injury”. The remedy for this is “damages” and in the IEPC small claims division, damages are limited to returning the injured party to the state they would have been in if the injury or loss hadn’t occurred (if it did) unless it has been wilful or caused ill-repute (or similar) or we had been deliberately uncooperative – none of these reasons seem remotely likely. I would contend and vigorously defend the position that since you first contacted us, we have been nothing but co-operative, we just been asking for the clarification you finally offered to procure today. Yet even today you haven’t provided the information, implying you don’t have it. May I also remind you the cost of a licence for the said image, (and therefore the amount of “damages” to return the artist to the position they would have been had the loss or injury not occurred), is £1.90.
Regarding the sum of 350 euros representing “Copytrack's standard fee for the unauthorized use of copyrighted material”. It would be interesting to see how that fee is made up, not least your currently unsubstantiated claim has put us to considerable work responding to a plethora of emails where you didn’t answer our very reasonable questions about proof from the artist, meaning we have been incurring costs that we would not have done had you actually had the proof and explanations we very reasonably asked for as we continue to co-operate.
Even now you haven’t answered our request for clarification as to how a member of staff from Concept Productions was simultaneously a member of staff from a for a company that ceased trading 6 years ago tomorrow. Whilst I am sure this is merely an oversight, many might see the inability to respond as a sign that it cannot, in fact, be explained and further raise the suspicion of your claim. To that extent we will need an explanation for how someone signs a claim on behalf of a company that has ceased to exist.

CT (no longer an individual but the legal department!:

Thank you for your message.

As we are interested in solving this matter amicably with you, our client is willing to offer you a settlement payment of 200 EUR to cover the compensation costs for your copyright infringement. This is the maximum we can offer.

The reduced compensation costs can be paid securely at https://portal.copytrack.com/ by entering your case ID NNNNNN. Once you have made the payment, we can close your copyright infringement case.

Copytrack GmbH has officially been renamed to RD Legal GmbH. We kindly ask you to use the new company name, especially for all future bank transfers.

US

Dear Legal Department.
Thank you for your offer, it would certainly be worth considering if we had infringed copyright but first, let’s examine your email and the claims made within it, as we wouldn’t want to dismiss your kind offer.
Firstly, it seems A******* has had no joy in trying to pressure us, so passes it to the “Legal Department”, presumably as that sounds more threatening. But as you cannot produce the documentation we have very reasonably asked for from the start, you reduce your claim hoping you won’t need to answer our legitimate clarifications. However, that reduced claim is now for compensation, which is limited at the IPEC to restoring the artist to the position they would have been in had the “infringement” (if indeed there was one) not occurred – approximately £1.90 (about €2.16).

But you have yet to prove Concept Productions (your client) or CopyTrack have the rights to pursue such an unproven claim. As you cannot provide proof that the right was passed to them by the artist prior to your initial approach almost two months ago – we have to assume you don’t have it as in your last email you admitted to having to go and get it. Nor have you explained how a known Concept Productions employee was simultaneously a Product manager for a business that ceased trading over six years ago. On this our very reasonable position has not changed, we will gladly help as and when you provide the proof we have asked for.

Further, your previous emails explained that the €350 fee was, and I quote, “Copytrack's standard fee for the unauthorized use of copyrighted material”. Yet you now claim your client, (Concept Productions), is willing to reduce the payment for an as yet unproven claim of an unproven right. So, on the one hand in your previous emails you claim a few euros for the licence that you have yet to prove was held by Concept Productions plus €350 for CopyTrack’s standard fee – yet somehow or other it seems Concept Productions (who claim but have yet to prove they hold the rights) have increased their demand from a few euros to €200 and CopyTrack have reduced their standard fee to zero. To that extent we are totally confused, as it seems you may be, as your claims and rationale change regularly. However, on the basis that you say your client has reduced their claim we therefore accept the reduction of CopyTrack’s claim to zero! Thank you.

That leaves the unproven claim for the as yet unproven lack of licence. I can assure you there is a valid licence for the image, the artist has most definitely been compensated, as we agree they should be, for the full amount of the licence. When you can both explain how someone can sign a document this year as an employee of a company that ceased trading 6 years ago, explaining how this legal and show proof that the artist passed the right on to your client, we will gladly share the details of the licence.

In the meantime, as you are a legal organisation focused on policing aspects of the internet, I am sure you will agree we are right to seeking clarification in a world where one needs to be increasingly careful of giving away information to anyone who makes, as yet, unsubstantiated claims.
As an aside, you state in your email that you have legally changed your name to RD Legal GmbH, yet sign the same email as the “Legal Department, COPYTRACK”. Again, I hope you can see why we continue to need the very reasonable and completely consistent clarification we ask for as we continue to be as cooperative as we can be; we just need you to confirm the details we have asked for.

CT:

Thank you for your message

However, as I mentioned before we can not lower the compensation in this case more.

Please be reminded that discounted offer will expire within the next 7 days, and then we will be forced to hand this case over to our partners, and they will take further actions. It will also lead to higher settlement costs, since the discounted offer will expire

US:

Dear legal department,
Throughout we have been consistently offering to resolve this issue once you provide the evidence we need. Namely, proof the artist signed over the rights to the image to Concept Productions and an explanation of how E****** D****** signed a legal document as the product manager for a company that ceased trading 6 years ago whilst also signing as an employee of concept productions.
In a previous response, you even said you were going to ask the artist for such proof, which you have yet to produce. However, you have never addressed the latter. As we have said all along, without such proof, we cannot proceed. It is our conclusion that after two months of not providing them, you do not have them, else you would be willing to share them.

You then stated that of the amount you originally claimed, €350 was Copy Track's standard fee, yet then went on to state that your client, Concept Productions, was prepared to reduce the claim to €200. We now need an explanation as to how your client can reduce your standard fee.

We have never asked for a reduction, but accepted CopyTrack's offer to reduce their fee to zero whilst expressing surprise that the Concept Productions was increasing their demands from a few euros to €200, for a licence that can be purchased for £1.90. We have merely pointed out that compensation due at the IPEC would only cover returning the artist to the position they would have been in if a breach hadn't occurred, if indeed it had. We also assert that there is a fully paid-up licence for this image, so the artist is fully remunerated.

Overall, it strikes us that despite our unwavering offer to help resolve your query, you:

1. Don't read the replies we send
2. If you do, you don't understand them, which we find curious, or
3. You ignore what we say and stick to your script.

Whilst we yet again offer to assist, we need:

1. Proof (not just assertions) that the artist signed over rights to your client Concept Productions.
2. An explanation of how E***** D***** was able to sign a legal declaration as the product manager for a company that ceased trading 6 years ago in a way that no offence was committed at the time of that signature
3. An understanding of how your client, Concept Productions was able to offer a reduction to your standard fees, when their claim is for the licence.
Provide these and we will gladly assist further. Without such evidence and explanation from you, we may have to conclude any other response is somewhat vexatious and you are conducting something of a fishing expedition, bordering on bullying, as many internet forums discussing Copy Track suggest.

To be clear, we have always offered to assist, and continue to do so. It seems you are unable to offer the additional documentation we seek to clarify your many inconsistencies in order to be able to help. To that extent, we will continue to vigorously defend our position but we do need the information requested to move forward.

CT:

Thank you for your message.

We have received the payment and the case is closed.

Thank you for your kind cooperation


For the avoidance of doubt, WE did not pay!!! Dare I suggest they ended up deciding they were on a hiding to nothing

I am tempted to go back to them and ask who paid (no one) and submit an invoice for the vexatious communications as they clearly didn't have the documents we asked for, they created another and got a guy to sign what appears to be a fraudulent claim, namely being a product manager for an extinct company. Nor did they have an explanation for their client reducing the CT fee!
HammerofPompey
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Re: Copy Track

Post by HammerofPompey »

We also had a second CT claim in on behalf of a different client. Same request for proof of artist signing over rights to CP followed by another recently produced document from E******** D******* that came in on a Friday "claim on a Friday, which they followed up on the Monday:

our response that has not had a reply in 6 weeks:

Dear Legal Department, we are slightly surprised by somewhat aggressive tone of this email, especially as you gave us until 21 October to respond, which we have done with loads of time to spare. Your previous reply was sent late on a Friday, and it is now Monday afternoon – we have had a busy day working, helping clients improve their health. However, we have now had time to review you email claims.

Despite your claim that you “have obtained the necessary documents confirming our client's ownership of the copyrighted materials” in the attached PDF, it is nothing of the sort.

Firstly, it is an internally produced document created after we asked for “proof” of the claim (and it remains a claim). The document is from Concept Productions to RD Legal, who we understand are in fact “CopyTrack”. The “attestation is about the best of “E***** D*****’s” best knowledge and belief that the owner of the image is “M*****”. There is nothing that proves M******* has engaged Concept Productions, just a statement to Mr D*******’s best knowledge and belief. Ie a claim. Nothing more. Until we get proof, (and by proof we mean proof and not an “attestation to someone’s belief “ from the artist of Mr D******’s claim, we will be unable to produce any documents you “demand”. By the way, we are aware of a case where an individual claimed the rights to the BBC logo and CopyTrack “found” and alleged unauthorised use of that logo – on the BBC’s own website! I am sure you can understand why we need the proof we are seeking.

Additionally, the said image is available from a number of stock image sites, To that extent the licence can be acquired from multiple sources.

The document then goes on and Mr D****** now claims to be a Product Manager for Fotolia Stock, a company that ceased to exist when it was acquired by Adobe several years ago. On the surface it seems like Mr D******* may have perjured himself, something that we will need explore before we produce any documents for you.

The PDF goes on to suggest that E***** D***** is the cedent to RD Legal, which was accepted by CopyTrack. With no explanation of the two different names. However, Mr D****** is once again in the employ of Concept Productions.

What has been sent as “proof” is, in fact, no more than an obfuscated chain of claims, none of which shows any proof of rights, just claims by one person in two personas, (one of which is for a company that doesn’t exist) on an internally produced document created after we asked for evidence. As a legal body working in the internet space that is full of scams, you will clearly see the obvious concerns we have over the validity of these claims. Whilst we are happy to continue to work with you, we will need the proof we have asked for.

Without such proof, a very reasonable request, we will be unable to forward any documentation, not least we have significant GDPR concerns over sharing details with you.

Moving on the claims itself. You claim:

Image license initially you “demanded” 374.50 €, more recently 389.59 € for just one year’s use, yet the image is available for £7 or £2.50 as part of a subscription (which we have). Notwithstanding our requirement to see proof that you have the right to make this claim, why would anyone pay such a vastly inflated and exaggerated price?
Compensation costs (past usage) 350.00 €. You state “We calculate these fees based on our client's license history, as well as the duration of use and type of rights infringement“. Two things I would observe:
1. Given the licence fee for said image is at most £7 it’s a curious calculation that arrives at €350!
2. You claim the image has been online since May 23 in a way that suggests it still is (not least you invite us to pay for future use!). As such, the phraseology adds to the questions we have over the overall validity of your claim (for which we are still awaiting proof). Additionally, as we read your PDF, the artist may have ceded rights to the image (as yet unproven) to Concept Productions on 30 Sep, so we find claims before that date somewhat curious.
In any case, compensation doesn’t quite work like that in the IPEC small claims track. In this case compensation is limited to the artist bringing a case and being put in the in the position they would have been, had the infringement not occurred. Therefore, your claim for €350 is totally exaggerated even if it was to be valid.
Can I make it absolutely clear, we are more than willing to work with you to resolve the issue you raise once we have proof of the validity of your claim, bearing in mind the date and duration you specified and the date you claim to have acquired the rights. This should be a document that predates your initial contact. We too would like to expedite closure, so feel that if you are not able to provide such evidence by the end of the month then it seems reasonable that you don’t have such evidence. I would suggest that any further correspondence from you other providing the proof we as asking very politely for, would be nugatory as we cannot proceed without such unequivocal proof. Indeed, one might consider any missive going forward that does not provide such proof is vexatious and we will defend our position most vigorously.

That was almost 7 weeks ago and total silence!

Overall, my assessment of CopyTrack (or whatever brand they are using today!!

I'm guessing one lawyer with a bunch of "apprentices" with a script, pumping out vague claims, hoping to "bully" people into admitting an infringement!

Over the past 3 years I have dealt with 5 from CT and have yet to pay a penny! That said I do not approve of people using unlicenced images!
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AndyJ
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Re: Copy Track

Post by AndyJ »

Thanks for that very full exposition. It would seem that they've decided they have wasted enough time on a case which is clearly, for them, going nowhere, so well done. I think the thing for other people in this situation to note is that you were polite and reasonable throughout. Secondly the tone of your emails clearly indicated that you knew where you stood legally. From this Copytrack, in all its incarnations, deduced that you were not someone who could be bluffed and bullied into paying 'their standard fee'.
Advice or comment provided here is not and does not purport to be legal advice as defined by s.12 of Legal Services Act 2007
HammerofPompey
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Re: Copy Track

Post by HammerofPompey »

Thanks AndyJ. All based on the collected advice found in posts on this forum....

For me the key parts were:

0. Never reply via any portal as it will likely require you to accept their conditions
1. Get them to "prove" their customer (often not the original artist) has the rights to the image and what the image actually is, by filename
2. Do not accept internally produced documents - and look to pick them apart
3. This should pre-date their first contact with you
4. Do not accept their assertions as "proof", demand the artists (wet) signature.
5. Always offer to assist, once THEY produce PROOF (they should never object - just as they are "policing" the Internet, you are just doing due diligence
6. At the same time ask about how they come to the fee they claim and for what (remember most stock licences are NOT annual
7. Know the cost of a current licence and the difference between what they claim and what the artist is entitled and the process for claims
8. Assume that most of their correspondence is undertaken from a script - get them off script and they will start to fall apart, especially if English is a second language
9. If you don't have/can't find the licence buy again - you can then prove that the artist has been returned to the position they would have been if the alleged breach had not occurred.
10. Always reiterate your are being co-operative, but you need the PROOF and any answers to questions their documents raise.
11. Stick to your position of help once they provide proof
12. When they say it's been paid - don't argue, relish the win!!

Above all, you will VIGOUROUSLY defend your position (in our case it was that all we wanted was the proof and the explanation of the discrepancies they claimed were proof)!!!
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